Brian Kite directs plays and musicals where human truth meets theatrical force.His work moves between large-scale musicals, contemporary plays, international productions, and intimate actor-driven rooms. He is drawn to stories about people under pressure: families carrying loss, communities shaped by history, lovers caught between promise and survival, and young people fighting to believe there must be more.
Brian’s productions often live between scale and intimacy. The work may be musical, epic, political, or quiet, but the question is usually the same: how can the production reveal what the characters cannot yet say?

New musical | Poland and GermanyA new musical about Irena Sendler, memory, moral courage, and the impossible act of saving a child by asking a parent to let them go.

Rock musical | La Mirada ONSTAGEA rock musical about young people trying to understand their bodies, their grief, and their desire in a world determined not to tell them the truth.
Brian is drawn to theatre where people are pushed to the edge of what they can say, survive, or become.
Irena, Les Misérables, and Miss Saigon look at people caught inside history, where private acts of courage, mercy, and love carry public consequences.
Spring Awakening, American Idiot, and Billy Elliot follow young people asking, “Is this all there is?” and fighting to believe there must be more.
Rabbit Hole and other contemporary plays return to the quiet pressure inside rooms where people know each other deeply and still cannot always say what they mean.
Brian’s work is built through close collaboration with actors, writers, music directors, choreographers, designers, and producers. In rehearsal, he looks for what is active inside each moment, then works with the whole room until the staging, music, movement, and design are all pulling toward the same dramatic action.
Whether working with a large ensemble, a new musical team, an international company, or a small cast around a table, the goal is to make the theatrical event clear, alive, and necessary.
Brian has directed live recordings, national tours, and audio theatre for LA Theatre Works, including American Buffalo, Judgment at Nuremberg, Steel Magnolias, Oslo, Disgraced, In the Heat of the Night, Top Secret: Battle for the Pentagon Papers, and Pride and Prejudice.
This work reflects another part of his directing practice: language, rhythm, pace, and the actor’s ability to make an audience see with their imagination.
Brian Kite is an award-winning theatre director whose work spans large-scale musicals, contemporary plays, new work, audio theatre, and international productions. He has directed in the United States, Poland, China, Macau SAR, and Bermuda, and his work has been recognized with an Ovation Award for Best Direction of a Musical, LA Times Critics’ Picks, and the Joel Hirschhorn Award from the Los Angeles Drama Critics Circle.
He is currently Dean and Vice Provost of Graduate Education at UCLA and Professor of Theater.
Read MoreAt the center of the work is a simple question: what happens when theatre asks us to see another person more clearly?
Selected interviews, features, and reviews from Brian’s work as a director and theatre leader.
A conversation between Jennifer Chang and Brian Kite about directing, collaboration, institutional leadership, and making theatre in Los Angeles.
Selected critical recognition for Brian’s productions, including La Mirada productions of Les Misérables and Billy Elliot.
Recognition includes an Ovation Award for Best Direction of a Musical, multiple Ovation nominations, and the Joel Hirschhorn Award from the Los Angeles Drama Critics Circle.
For professional inquiries, please contact:
Gregg A. Klein
AKA Talent Agency
323.965.5600
Brian is available for select regional, international, and new-work development projects.